It’s time for the Coffin Hop! Get your free short #zombie story here!

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It’s that time of year again. Time for something scary. How does a free Zombie Bedtime Story sound?

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That’s right! Part 1 of the Zombie Bedtime Stories, Locked In, is free on Kindle October 25, 26, 28, 29 and 30! Tell your friends and family.

 

Now… for the real giveaway. You’ve got part 1. Want the rest? I’ve made this really nifty Rafflecopter giveaway. Sadly, WordPress and scripts don’t get along, so here’s a handy link.

Once you’ve had your fill, just head on back to the Coffin Hop. There’s tons of authors that are dying to meet you.

 

Cover Reveal: Sanity Vacuum

For quite some time, I’ve been hinting that Sanity Vacuum was getting an overhaul. I’m pleased to say that The ABACUS Protocol is returning to the literary world on November 25.

Why November 25?

It was November 25, 2011 that I finished the first draft. November 25, 2013 would have been my Dad’s 70th birthday. In a way, it represents how my writing has come full circle. I’m back to being in control of my writing and my future. I have a hard road ahead of me, but I’m going to win.

That said, here’s the cover and blurb for Sanity Vacuum!

 

Sanity Vacuum reborn!

Sanity Vacuum Synopsis:

Vivian Skye just finished university, and qualified for her first-choice internship. Not many would consider the distant and isolated Extra-Galactic Observatory cushy, but it’s a dream come true for Vivian. Hailing from the low-tech planet of Aurora, she studied hard for this opportunity—and to leave her old life, and planet behind.

Her assignment is simple: perform a routine upgrade for the station’s supercomputer, quIRK. Her reception isn’t a friendly one, and eccentric quIRK becomes her only friend. However, the station’s administrator, Bryce Zimmer is obsessed with quIRK—he suspects that the station’s computer may have achieved sentience, something explicitly prohibited by the ABACUS Protocol. Compounding their issues, Bryce’s traumatic and privileged past makes him distrust Vivian from the beginning. Desperate to keep control, he sabotages quIRK in order to eliminate Vivian. But, his plan threatens to consume the entire station and send them into the unknown void of intergalactic space.

Vivian must struggle to survive not only Bryce’s megalomania, but also the emerging artificial super intelligence that is quIRK. Can Vivian and quIRK learn to trust each other and work together, before it’s too late?

Sanity Vacuum is book one of The ABACUS Protocol.

As always, mailing list subscribers get it first! I’m also looking for more spots for my upcoming blog tour. If you’re up to hosting, I want to talk to you!

Breaking up with my publisher, and getting back on track

I did it. Sanity Vacuum’s rights have reverted to me, after the expiration of my publishing contract. This is alright with me, for a number of reasons.

 

  1. I like the control of being indie. The Zombie Bedtime Stories have always been self-published. It’s crazy fun, I love the independence and the fact that I’m the one who gets the final say. I say when it’s done, when it’s good enough, and when another human being can read it.
  2. Publishing with a publisher makes sense for some people. However, I have a good job and can front the production and marketing costs of a book.
  3. Vision. I have a very clear idea of where my stories are going, and what elements I will include or exclude. I seldom (never) appreciate input that I don’t ask for in the creation process.

To me, these are all very good reasons. The final severing still felt like a bit of a breakup. I knew it was what I wanted (okay, needed), but the transition from “published” to “formerly published” was still there. I got over it in a day, though. My internal monologue told me to get over it and get back to work. Very helpful, isn’t it? Still got my street cred, for however long that’s meaningful for.

So, what does this mean for The ABACUS Protocol?

I’m re-releasing Sanity Vacuum, hopefully by mid-November. I’m giving it a final pass now that the remastering project is finally finished. There are a few things I wanted to polish up. A bit more universe detail, and improving the overall descriptiveness of the text are on the agenda. There’s also an amazing new cover, but I’m not quite ready to show it to the world just yet.

It’s going to be Sanity Vacuum, the way it was intended to be. Next up will be The Pandora Machine. It’s all written, I just need to clean it up before sending it to an editor.

But, I need your help. I’m having a blog tour in November, and I really need hosts! Please consider signing up to be a host with this nifty form I made.

Want to know when the re-release is? Members of my mailing list always get it first! (Spoilers: be on the lookout for a print version of the Zombie Bedtime Stories! Coming by popular demand.)

#indieBP Writing, Social Media, and Networking Tips

I’m going to mash the last two posts into one giant post, because there’s a lot of overlap and I’ve been busy this week.

Things I’d wished I’d known when I started writing:

This boils down to two items.

1. Passive voice. I started out writing papers in university, where the passive voice is used extensively. Coincidentally, it was the first thing to go in my creative writing efforts.

2. Show and Tell: Everyone needs to look this up if they don’t already know it. Don’t tell the reader what’s going on. Show it. Animate your characters, set a scene, describe things. When writing takes on a cinematic quality, the story comes to life.

Almost everything else boils down to World War Comma. Commas are mean jerks that will screw up your sentences. Do your research.

Now, for social media and networking:

I’m big on Twitter and Facebook. I’ve never tried Pinterest and I stay away from Goodreads. Working a full-time job, I need to prioritize. I’ve noticed great results with Facebook and Twitter, so that’s where I put my time in.

Here’s the list of DOs:

1. Do engage. Talk to people. They talk back, they’ll retweet your stuff, talk you up to their friends and just be plain awesome if you’re fun to talk to.

2. Keep it (mostly) relevant. Some personal stuff adds flavor and connection. On that note, keep it positive.

3. Set a schedule. This can be with a tweet scheduler, or just a time of day that you log in. Try to do a little bit every day, even if it’s just a short progress report. You’re building a brand, and for that you need constant exposure.

4. Learn how to use social media. Read about the platform and its tools. Figure out if there are any communities or tweet chats that are worth joining.

And some DON’Ts:

1. Don’t spam. If I memorize someone’s tweets, I drop them. I’ve read that 90% content, 10% obvious self-promotion is the way to go.

2. Don’t whine. Life sucks, but if you want to be a professional then don’t habitually bleed all over social media. Doubly so about book sales. Remember, you’re awesome, your life is awesome, everything is awesome. (Especially your book.)

3. If you must tweet excerpts, don’t shorten words into textspeak. Also, make sure said blurb makes sense. When I skim my twitter feed, half of the quotes I read get an “ooookaaaaay…?” reaction. Don’t be that guy. Make sense.

4. Don’t get into fights with reviewers. It doesn’t matter that they didn’t like your book. Thank them and find more reviewers.

5. Don’t mistake social media time for “work.” You’re not working if you’re spending all of your free time on twitter. Social media has diminishing returns. Unless you’re in a tweet chat or event, there is little to gain in spending more than 15-30 minutes at a time on social media. The best way to promote your book is to write more books.

My top 5 books #IndieBP

I heard a rumor that you want to know what my top 5 books are. As always, I’m very happy to oblige!

I’m going to take it from the top.

1. Dune (Frank Herbert)

Dune will always occupy the top spot on this list. I read Dune for the first time when I was 14. It changed my life. The complex universe, storyline, and beauty of omniscient storytelling sucked me in. I’ve read almost everything by Herbert, and I scour used book stores to find his out of print books. What an imagination!

2. Ender’s Game (Orson Scott Card)

Say what you will about Card, but Ender’s Game is amazing science fiction. It’s also a complete head trip. Technically, I enjoyed Ender’s Shadow more, but they’re the same book written from different character’s perspectives.

3. Crime and Punishment (Fyodor Dostoyevsky)

I’ve read this book three times since I was 13. Every time, the story becomes more elevant to my day-to-day life. The book is intense, and forces strong emotions from the reader. Dostoyevsky is a master of writing madness and humanity into his characters. He can drive you into a depression in a paragraph. There’s a reason I call the months I read him “Dostoyevsky Benders.”

I also tend to want to punch his characters in the face. Raskolnikov and the “Underground Man” are utterly insufferable.

4. Wizard’s First Rule (Terry Goodkind)

The first book of the Sword of Truth series blew me away. Neglecting the baggage of the rest of the series, it’s a great read.

5. The Silence of the Lambs (Thomas Harris)

The book is much better than the movie. Dark yet funny. Poignant and charming. It’s an experience. Hannibal (the sequel) would make my top 10, and it’s infinitely better than the movie as well.

Indie Block Party: Want to know what Thea reads?

You did ask, after all.

I’m reading the Iliad, the epic poem written by Homer a long time ago. It’s the story of the Trojan War. Here’s a blurb I found in the Dover edition:

Epic masterpiece chronicles last days of the Trojan War — quarrel of Achilles and Agamemnon, the battle for Helen of Troy, Greek siege of the city, Trojan counterattack, stratagem of the Trojan Horse, many other events. Vast in scope, fresh and noble in literary style. This edition reproduces the celebrated Samuel Butler prose translation.

Now, as for how I discovered the Iliad (and the Odyssey), do I have a story for you. It’s in a way the story of my early life, and how I came to be fascinated by stories and storytelling.

When I was eight, my mum introduced me to Greek Mythology. She gave me two books–children’s editions of the Greek Myths, and an illustrated, simplified version of The Iliad and the Odyssey. She read these books to me every night before bed, until I had them memorized. If I close my eyes, I can still see the pictures and hear the words.

But, I loved the Iliad and the Odyssey. As an adult, I was browsing through Kindle’s extensive selection of free classics, and found them both. I had to do it. I felt compelled to read the entire thing as it was written. Without learning ancient Greek, anyhow. I’m only willing to go so far.

I’m about 20% into the Iliad. It’s brutal. Wordy, complicated. Many characters named, only to fall in the next verse. Often, by being speared in the groin. Random. But, I’m fascinated by classics, especially in translation. I find that I focus more on how the words fall together, and how the vocabulary works. The Iliad paints vivid pictures, and there is incredible characterization for the main characters (The Atredes (not to be confused with House Atreides from Dune), Odysseus, Nestor, Hector, Achilles.) Every word has a purpose, and no space is wasted on telling rather than showing.

I tend to intersperse modern (post 1940s) books with classics. I need to keep my mind on language. Reading is studying for writing. A few months ago, I came to the conclusion that discomfort is good–it’s the side-effect of challenge. Challenge brings improvement. Thusly, I’m getting demolished by the Iliad, but every day I read it, I understand something else about literature. Some new truth. A new appreciation for the timelessness of literature. Some months, I go on Dostoyevsky benders. But, once I come out of it, I know a little more than I did before about language.

I’m actually starting to get into the Iliad. Scary, no? I’m a bit excited for The Odyssey. It was always my favorite of the two.

 

An interview with Hemanth Gorur

As part of the awesome Indie Block Party, I had the opportunity to interview Hemanth Gorur, a paranormal thriller author! Say hi to my zombie and sci fi loving entourage, Hemanth! This is the first interview I’ve ever given, so please forgive me if the questions are weird. I wanted to delve into the nature of speculative fiction, and have some fun.

What draws you to the thriller genre in particular? When does a guy wake up in the morning and say, “You know what, I’m going to write a paranormal thriller. This is the best idea ever!”?

It’s the opportunity to set the pulse racing in your reader. Especially in the paranormal genre, there is immense scope for portraying the fictional as real, the supernatural as something that can have an impact in material life. There is scope to stretch the definition of ‘fiction’.
You’re clearly quite drawn to the psychological elements of your genre. How does adding a paranormal element to your stories complicate this? Are there cases where it gets easier?
Normally psychology as we know it extends to the here and now. We probably use it to understand human beings living in our lifetime, or in some cases dead ones. When I add psychological elements to a paranormal thriller, especially in themes like reincarnation, there is suddenly a vast new sphere of psychological profiles you can draw up. There is a certain tartness, a certain tanginess when you can get your story to revolve around the psychology of living beings but from a vastly different era.
What are the biggest challenges facing you as an author?
I think the issue facing most authors, including me, is that, suddenly you have everybody writing. Not that that’s bad in itself, but what that has done is create a huge slushpile out there in the market. Add to it the various self-publishing mechanisms you have today and suddenly it’s difficult to pick out the good stories from the bad. There is no single policy or policy-making body to my knowledge that is the universal gate-keeper of writing quality, wherein if your writing sucks you have no chance of drowning out that one good story by a deserving author by just dumping 20 badly written stories out there into the market.
What author do you draw the most inspiration from?
That would be two of them actually: Robert Ludlum and Dan Brown. Yes, they’re not paranormal authors, but they do know how to tell a story!
What’s your favorite and least favorite paranormal entity? Would you ever willingly join the realm of the paranormal?
My favorite would be the character in X-Men who shapeshifts to imitate people she sees. I don’t think I have a least favorite. And yes, I would join. It would be fun to be there yet not be there and things like that!
Pick your two favorite authors. Who wins in a barfight?
That would be Ludlum again and Arthur C Clarke. I’d place my money on Ludlum (he was a US Marine!).
Would you live in any of the worlds you’ve created?
I’ve created just one so far – the world in Aymaran Shadow. Though there is a dip back into 18th Bolivia, the world centers around modern India and of course the travel paths of the two antagonists who come South America and England to India. So, I guess I would.
What’s your dream writing location? Coffee shop, bar, library, writing shack, the moon?
I like the last one – moon! But, that sounds dramatic sitting here. I don’t think you could actually write there. I’d go for the beach – a moderately warm sunny beach, with people frolicking around in the distance, while I’m under the shade of beach groves in a recliner, sipping my apple juice and pounding out those pages.